インタビュー：マシュー・バーニーはなぜ日本を舞台に「拘束のドローイング」を生み出したのか？【5/5ページ】

＊1──DRAWING RESTRAINT exhibition tour 21st Century Museum of Contemporary Art, Kanazawa, Japan, July  2- August 25, 2005; Leeum, Samsung Museum of Art, Seoul, Korea, October 13, 2005 – January 8, 2006; San Francisco Museum of Modern Art, USA, June 23 – September 17, 2006; Serpentine Galleries, London, England, September 20 – November11, 2007; Kusthalle, Vienna, Austria, March 7 – June 8, 2008
＊2──RIVER OF FUNDAMENT exhibition tour Haus der Kunst, Munich, Germany, March 17 – August 17, 2014; Museum of Old and New Art, Tasmania, Australia, November 22, 2014 – April 13, 2015; Museum of Contemporary Art, Los Angeles, California, USA, September 13, 2015 – January 18, 2016.
＊3──Jake Meginsky and Neil Young, Milford Graves: Full Mantis (2018), sound and color, 1:31:00.
＊4──Quoted in Maggie Nelson “On Porousness, Perversity, and Pharmocopornographia: Matthew Barney's OTTO Trilogy,” (Yale University Press, New Haven, CT 2016).
＊5──REDOUBT exhibition tour Yale University Art Gallery, New Haven, Connecticut, USA, March 1 – June 16, 2019; UCCA, Beijing, China, September 28, 2019 – January 12, 2020; Hayward Gallery, London, UK, May 19 – July 25, 2021.