Nina Canell《Perpetuum Mobile (25 Kg)》（2009）ultrasound, water, cement, basin, dimensions variable. Courtesy of the artist, Galerie Barbara Wien, Mendes Wood DM, Kaufmann Repetto and 303 Gallery. Photo: Robin Watkins.
ポスタービジュアル
Nina Canell《Perpetuum Mobile (25 Kg)》（2009）ultrasound, water, cement, basin, dimensions variable. Courtesy of the artist, Galerie Barbara Wien, Mendes Wood DM, Kaufmann Repetto and 303 Gallery. Photo: Robin Watkins.
Goldin+Senneby《Resin Pond》（2025）pine resin installation, exhibition view of Flare-Up at the MIT List Visual Arts Center, Massachusetts, 2025. Courtesy of the artists. Photo: Dario Lasagni.
Saodat Ismailova《Melted into the Sun》（2024）single-channel video, color, 5.1 sound, 35 minutes 50 seconds. Video still. Courtesy of the artist.
Jeong Geumhyung《Rehab Training》（2022）Installation view at Impulstanz x mumok (Museum moderner Kunst Stiftung Ludwig Wien).Courtesy of the artist. Photo: Peter Mayr.
Mona Benyamin《Trouble in Paradise》（2018）single-channel video, color, stereo sound, 8 minutes 30 seconds. Courtesy of the artist.
Mona Benyamin《Tomorrow, again》（2023）single-channel video, color, stereo sound, 11 minutes. Courtesy of the artist.
Suzuki Akio《An Encouragement of Dawdling – “o to da te” and “no zo mi”》（2018–2019）Courtesy of the artist and Museum of Contemporary Art Tokyo. Photo: Kenta Hasegawa.
Suzuki Akio《An Encouragement of Dawdling – “o to da te” and “no zo mi”》（2018–2019）Courtesy of the artist and Museum of Contemporary Art Tokyo. Photo: Kenta Hasegawa.
Jang Myung-hee (May Mothers House)《Chuseok Songpyeon (In Solidarity)》（2023）acrylic on canvas, 30 × 30 cm. Courtesy of May Mothers House.
Kang Hae-jung (May Mothers House)《My Eyes (Remembering)》（2022）acrylic on canvas, 30 × 30 cm. Courtesy of May Mothers House.
