REVIEW - 2018.12.29新しい書としての絵画。保坂健二朗評 大山エンリコイサム個展「Black」展示風景より、左から《FFIGURATI #162》(2017)、《FFIGURATI #238》(2018) Photo by Shu Nakagawa © Enrico Isamu Ōyama Courtesy of Takuro Someya Contemporary Art展示風景より、《FFIGURATI #238》(2018) Photo by Shu Nakagawa © Enrico Isamu Ōyama Courtesy of Takuro Someya Contemporary Art展示風景より。左から《FFIGURATI #240》(2018)、《FFIGURATI #241》(2018)、《FFIGURATI #239》(2018) Photo by Shu Nakagawa © Enrico Isamu Ōyama Courtesy of Takuro Someya Contemporary Art展示風景より、《FFIGURATI #162》(2017) Photo by Shu Nakagawa © Enrico Isamu Ōyama Courtesy of Takuro Someya Contemporary Art展示風景より、中央は《FFIGURATI #226》(2017) Photo by Shu Nakagawa ©Enrico Isamu Ōyama, Courtesy of Takuro Someya Contemporary Art 5 / 5 記事にもどる 編集部