INSIGHT -
スーパーオーガニズムは、電気仕掛けの人間の夢を見るか? 石谷治寛評「岡山芸術交流2019『IF THE SNAKE もし蛇が』」
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Photo by Ola Rindal Courtesy of the artist, Karma International, Miguel Abreu Gallery and Sprüth Magers
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反転資本(1971年〜4936年)、無人、シーズン2、エピソード2 2019
Photo by Ola Rindal Courtesy of the artists
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Photo by Ola Rindal Courtesy of the artist, TARO NASU, Marian Goodman Gallery and Houser and Wirth (c)Kamitani Lab / Kyoto
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2019 撮影=石谷治寛
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手前のプールがパメラ・ローゼンクランツ《皮膜のプール(オロモム)》(2019)
Photo by Ola Rindal Courtesy of the artist, Thomas Dane Gallery and Simon Preston Gallery/Courtesy of the artist, Karma International, Miguel Abreu Gallery and Sprüth Magers
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右がマシュー・バーニー《安全圏の陰極》(2019)
Photo by Ola Rindal Courtesy of the artist and Gladstone Gallery, Marian Goodman Gallery
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Photo by Ola Rindal Courtesy of the artist and Galerie Chantal Crousel
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下が《 ニュー・ヒューマンズ》(2019)
Photo by Ola Rindal Courtesy of the artists and TARO NASU /Courtesy of the artist, Ishikawa Foundation, Okayama and TARO NASU
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キャラクター、アン・リー 撮影=石谷治寛
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Courtesy of the artist, Pilar Corrias and Gladstone Gallery
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撮影=石谷治寛
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撮影=石谷治寛
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Photo by Ola Rindal Courtesy of the artists
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Photo by Victor Zebo Courtesy of the artist
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撮影=石谷治寛
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編集部